Kelly
Steinlage 09/30/2011
Is
Silence Golden?
Responding
to Controversial Topics in the Early Adolescent Art Room
Bibliography
Barrett, T. (2000). Criticizing
Art: Understanding the Contemporary. Mountain View, CA: Mayfield
Publishing Company.
Barrett, T. (1997). Talking
about Student Art. Woscester, MA: Davis Publications.
Blair, L. (1996). Strategies for Dealing with Censorship. Art Education , 49 (5), 57-61.
Check, E. (2001). In the Trenches. In Y. Gaudeluis, & P.
Spiers (Eds.), Contemporary Issues in
Art Education (pp. 51-60). Upper Saddle River, NJ: Prentice Hall.
Chung, S. K. (2009). An Art of Resistence: From the Street
to the Classroom. Art Education , 62 (4), 25-32.
Chung, S. K. (2007). Media
Literacy Art Education: Deconstructing Lesbian and Gay Stereotypes in the
Media. International Journal of Art
& Design Education , 26 (1),
98-107.
Chung, S. K. (2005). Media/Visual Literacy Art Education:
Cigarette Ad Deconstruction. Art
Education , 58 (3), 19-24.
Chung, S. K. (2007). Media/Visual Literacy Art Education:
Sexism in Hip-Hop Music Videos. Art
Education , 60 (3), 33-38.
Hoffman, J. (2011, 03 26). Sexting Turns Explicit, Altering Young Lives. Retrieved 04 20,
2011 from NYTimes.com:
http://www.nytimes.com/2011/03/27/us/27sexting.html
Nordlund, C., Speirs, P., & Stewart, M. (2010). An
Invitation to Social Change: Fifteen Principles for Teaching Art. Art Education , 63 (5), 36-43.
School District of Philadelphia. (1990, 12 17). 119. CONTROVERSIAL ISSUES. Retrieved 04
20, 2011 from phila.k12.pa.us: http://www.phila.k12.pa.us/offices/administration/policies/119.html
Tatum, B. D. (1997). "Why Are All the Black Kids Sitting
Together in the Cafeteria?" And Other Conversations About Race. New
York, NY: Basic Books.
Wright, W. (1991). A Walk on the Wild Side: One Teacher's
Approach to Controversial Art. School
Arts , 90 (7), 50-51.
Yokley, S. H. (1999). Embracing a Critical Pedagogy in Art
Education. Art Education , 52 (5), 18-24.
Blair’s questions to ask
when a parent objects to their child seeing a certain artist’s work:
·
To what in the work or assignment do you
object?
·
What do you feel might be the result of
viewing, reading or learning about this work?
·
What do you believe is the theme or
purpose of this work?
·
Is there a work of equal value that you
would recommend which would serve as an alternative to the work in question?
(Blair, 1996, p. 61)
Chung’s
questions to guide students to analyze and examine media representations of
lesbian and gay people:
·
What is the purpose of this
advertisement/scene? (e.g., product sale, service, advocacy, or viewpoint)
·
What pictorial elements/design techniques
are used to gain our attention?
·
What is the scene trying to tell us?
(viewpoint, plot, belief or value)
·
What responses is the scene meant to
elicit from the viewer?
·
Are there other implicit messages in this
advertisement?
·
Is there a lesbian or gay character in
this scene, and how do you know?
·
What is the character doing? How is
he/she portrayed?
·
What assumptions do you make from this
scene?
·
What does the scene say about lesbian and
gay people?
·
What connections can you make between
lesbian and gay people and what is advertised?
·
Is the scene portraying a lesbian or gay
stereotype? Which stereotype?
·
How do we know the portrayal is a
stereotype?
·
What other lesbian or gay stereotypes do
you frequently see in the media?
·
Can we brainstorm some ways to challenge
this stereotype?
(Chung, 2007, p. 104)
“Teachers
can obtain gay-related advertisements online from the Commercial Closet, an
organization that seeks to educate corporate advertisers and the public about
homophobia, inclusion and lesbian and gay stereotypes in mainstream
advertising… An instructional guide is also available on this organizations
website to help teachers engage their students in examining GLBT issues and
stereotypes” (Chung, 2007, p. 104)
Wilke, M. (2001-6). The Commercial Closet
(online). Available from URL: www.commercialcloset.org
Appreciate your post Kelly..I like how you compared Wright and Blair. Can you post that so we can read it better, Thanks!
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